de la serie ‘Columna Infinita’

Kcho

Alexis Leyva Machado (Isla de la Juventud, Cuba, 1970), known in the art world as Kcho, is part of a generation of young artists that, following in the wake of Cuban avant-garde tradition from the Twenties, develop their work by regenerating their commitment to the formal and conceptual concerns of contemporary art. His work, essentially poetic and imbued with landscape and Cuban popular culture, forges a reflection on travel and the environment, on the continual evolution of time and matter.

Kcho's work has evolved since his first sculptures at the beginning of the Nineties, fashioned with woven branches, towards large-scale montages in installations, for instance the piece presented in the Arsenale at the Venice Biennale in 1999. His work gains significant international exposure after being included in the Havana Biennale in 1994, the year he also participates in the Cocido y crudo (Cooked and Raw) exhibition held in the Museo Nacional Centro de Arte Reina Sofía.

The Cuban artist also frequently uses objects found in his journeys along the seashore and the streets of Havana - pieces of wood, rope, clothes, glass - that he works with and assembles to create his sculptures. The handcrafted nature of his pieces is a key component and refer to the culture of recycling whereby everything has various uses that differ from the one they were originally intended for.

The notion that nothing is permanent and everything transforms the present is ubiquitous throughout his work. The piece A los ojos de la historia (1995), a reworking of Vladimir Tatlin's Monument to the Third International, remains, along with his model, a metaphor for utopia, for architecture with no use.

SOURCE: Museo Reina Sofía